Friday, July 23, 2010

Know Your LGBT History - Victim



I have never seen Victim (1961) but I've heard of it so many times. It was a landmark in lgbt cinema.

From Wikipedia:

Victim is a 1961 British film directed by Basil Dearden, starring Dirk Bogarde and Sylvia Syms. It is notable in film history for being the first English language film to use the word "homosexual". The world premier was at the Odeon Cinema in Leicester Square on 31 August 1961. On its release in the United Kingdom it proved highly controversial and in the United States it was initially banned.

. . . Until the 1967 Sexual Offences Act, which implemented the recommendations of the Wolfenden report, homosexual acts between consenting adults were illegal in England and Wales. There were prosecutions and Sunday newspapers gave space to the court reports. Yet, by 1960, the police were as relaxed as possible over the old laws. There was a feeling that the code violated decent liberty. But police restraint did not deter the menace of blackmail.

When the team of producer Michael Relph and director Basil Dearden first approached Bogarde, they warned him that a lot of people had already turned down the script because the material might be considered dangerous or unwholesome. In 1960, Bogarde was 39 and just about the most popular actor in British films. He had proven himself playing war heroes (The Sea Shall Not Have Them; Ill Met by Moonlight); he was the star of the hugely successful Doctor film series; and he was a reliable romantic lead in movies like A Tale of Two Cities. He was flirting with a larger, Hollywood career—playing Liszt in Song Without End. Bogarde was suspected to be homosexual, living in the same house as his business manager, Anthony Forwood, and was compelled every now and then to be seen in public with attractive young women. He seems not to have hesitated over the role of Farr. Similarly, Sylvia Syms never flinched from the part of his wife, though apparently several actresses had turned it down.

Other gay cast members included Dennis Price and Hilton Edwards. Though it mostly treats homosexuality in a non-sensationalized manner, there is one rather catty aspect to the film-- Price's character (a prominent gay theater star) would have been fairly easy for contemporary audiences to identify with Noel Coward.


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The Jeffersons and the transgender community


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