Holy Bullies and Headless Monsters: Know Your LGBT History

Set It Off (1996) is the only case in which the presence of a seemingly stereotypical gay character actually saves the movie.

Set It Off is a "hood movie" in which four black women decide to rob banks because the "system" has done them dirty.

And therein lies the problem. The movie bends over backwards so much in order to showcase how three of them are wronged that the scenes and the characters become ludicrous.

First, there is Frankie (Viveca Foxx) who loses her job at a bank because she forgets the correct procedure of how to handle a robbery. This is probably because the robber blasted a woman right in front of her.

The scene where she is fired is also one where she is grilled by a merciless and uncaring police officer (John McGinley) simply because she knew one of the robbers from her neighborhood.

Did I mention that during this same scene, her clothes are still marked with blood and brain matter from the shooting victim?

Then there is Stonie (Jada Pinkett) who prostitutes herself to a hateful man so that she can get some money for her brother's college tuition, only to find out that her brother is not going to college. And to make matters worse, her brother is later brutally slaughtered by the police in case of mistaken identity.

There is Tisean (Kimberely Elise), a whimpering, simpering single mother who loses her child to a heartless social worker (Anna Maria Horsford) because the child accidentally ingested some chemicals at her job where she takes him because she cannot afford daycare.

And then there is Cleo (Queen Latifah), a stereotypical "butch" lesbian who, luckily for us has no backstory of victimhood. All she wants is to get high, take care of her car, and her girlfriend (big props to the movie for not only devoting time to Cleo's relationship with her girlfriend but also showing it in a positive light).

Maybe the writer felt that Cleo didn't deserve a backstory. Whatever the case may be, it was up to Queen Latifah to fill in the gaps on Cleo and she does so in an excellent performance that, if the movie was better, would have probably garnered her an Oscar nomination.

Cleo is the spark that the movie needs. It is she who comes up with the idea of robbing banks, it is she who provides the guns, and it is she who saves the group from capture in a wild scene.

That's not to say that she is not without her faults, but that's what makes the performance good. In Cleo, Queen Latifah creates a three-dimensional devil-may-care characterization which is solely missing in movies these days:

This being a "hood movie" means unfortunately that the characters are headed for a sad end. Only one of them survives (Stonie) to escape.

However when Cleo is killed, it is spectacular and sad at the same time. I remember being told by friends who saw the movie at the theatre that the following scene had many women in the audience crying:

Holy Bullies and Headless Monsters

Friday, August 26, 2011

Know Your LGBT History - Set It Off

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