A controversial play Lillian Hellman became a controversial movie in 1961, The Children's Hour.
Audrey Hepburn and Shirley MacLaine portray the owners of a private school for girls in New England. One of the girls (Karen Milkin) is a hateful little monster who is punished when she is caught in a lie. So she tells a bigger lie to her aunt (Fay Bainter), a wealthy and prominent member of the community, that the two women are lesbians and that she saw them kissing.
The blowback is ugly as Hepburn and MacLaine lose everything and the community shuns them. And it gets worse for MacLaine as this heartbreaking scene shows.
It's an ugly way for someone to come to grips with their God-given sexual orientation and a hard scene to watch. By the way, the child's lie is discovered, but does it even make a difference?
Past Know Your LGBT History postings
Know Your LGBT History - Sylvester
Know Your LGBT History - Once Bitten
Know Your LGBT History - The Boys in the Band
Know Your LGBT History - Christopher Morley, the crossdressing assassin
Know Your LGBT History - Midnight Cowboy
Know Your LGBT History - Dracula's Daughter
Know Your LGBT History - Blacula
Know Your LGBT History - 3 Strikes
Know Your LGBT History - Paris Is Burning
Know Your LGBT History - The Women
Know your LGBT History - Soul Plane
Know Your LGBT History - The Player's Club
Special Know Your LGBT History - Fame
Know Your LGBT History - Welcome Home, Bobby
Know Your LGBT History - Barney Miller
Know your lgbt history - The Jerry Springer Show
Know your lgbt history - Martin Lawrence and that 'gay guy' on his show
Know your lgbt history - The Ricki Lake Show
Know your lgbt history - Which Way Is Up
Know your lgbt history - Gays in Primetime Soaps
Know your lgbt history - Boys Beware
Know your lgbt history - The Boondocks
Know your lgbt history - Mannequin
Know your lgbt history - The Warriors
Know Your LGBT History - New York Undercover
Know Your LGBT History - Low Down Dirty Shame
Know Your LGBT History - Fortune and Men's Eyes
Know your lgbt history - California Suite
Know your lgbt history - Taxi (Elaine's Strange Triangle)
Know your lgbt history - Come Back Charleston Blue
Know your lgbt history - James Bond goes gay
Know your lgbt history - Windows
Know your lgbt history - To Wong Foo and Priscilla
Know your lgbt history - Blazing Saddles
Know your lgbt history - Sanford and Son
Know your lgbt history - In Living Color
Know your lgbt history - Cleopatra Jones and her lesbian drug lords
Know your lgbt history - Norman, Is That You?
Know your lgbt history - The 'Exotic' Adrian Street
Know your lgbt history - The Choirboys
Know your lgbt history - Eddie Murphy
Know your lgbt history - The Killing of Sister George
Know your lgbt history - Hanna-Barbera cartoons pushes the 'gay agenda
'Know your lgbt history - Cruising
Know your lgbt history - Foxy Brown and Cleopatra Jones
Know your lgbt history - I Got Da Hook Up
Know your lgbt history - Fright Night
Know your lgbt history - Flowers of Evil
The Jeffersons and the transgender community
4 comments:
I'd been wondering when/if you were going to post about this film.
A few thoughts:
When I was in high school, I ran across a book that compiled some of Pauline Kael's older film reviews, including this one. I was amused that Kael-who I'd always thought was one of the more progressive film critics, wrote in her 1961 review that "lesbianism is all in the mind (after all, there isn't much that lesbians can DO)"
In the documentrary "The Celluloid Closet", Shirley MacLaine admitted frankly that they "didn't do the picture right" and also said that during the filming, she and Audrey Hepburn never really discussed what the movie was ABOUT.
As depressing as the movie is, I think it was actually intended to be sympathetic towards lesbians. MacLaine's character is depicted as a victim instead of a predator, which, sadly, in 1961 Hollywood, actually WAS progress.
In spite of the script's failings, it's actually a very well-made picture from a technical standpoint, as you'd expeect with a director like William Wyler on hand, and the talented cast that was assembled. (I always find it jarring how YOUNG Shirley looked back then-she seems more like a teenager than a young woman.)
European films of the day tended to treat gay and lesbian characters a little better-I'm thinking for example of Claire Bloom's character in the British movie "The Haunting". I'm wracking my brain trying to name the first truly sympathetic lesbian character in an American film. I think it was Estelle Parsons in "Rachel, Rachel"(1968), but it's been a long time since I've seen it.
SCARY THOUGHT (and I'm probably right)-
The way Shirley describes her feelings in this scene-the degree of shame and torment she feels-I'll bet this is EXACTLY how people like Linda Harvey, Porno Pete, et al,, WANT us to see ourselves.
Hey, for your next "Know Your LGBT History" post, how about the "Designing Women" episode "Killing All the Right People"?
It's definitely on the list and I think that I can find the clip. Interestingly enough, that was the first episode of Designing Women I ever saw.
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